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IMAGE CREDITS

Hope Picture Gallery CROP YCBA .jpg

HOMEPAGE

BACKGROUND

John Constable

Cloud Study, 1822 [detail]

Oil on paper laid on panel, 28.6 × 48.3 cm

Yale Center for British Art, Paul Mellon Collection, B1981.25.116

NEWSLETTER POP-UP

Unknown

Frame, 1732-50

Painted fruitwood, pine carcass, gilt slips, 38 x 31 cm

Victoria and Albert Museum (E.2887-1995)

WHO WE ARE

TOP BANNER

Robert Peake the Elder (c. 1551-1619)

Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field [detail]

Oil on canvas, 201.9 x 147.3 cm

Metropolitan Museum of Art

(44.27)

Public Domain

MIDDLE

John Hamilton Mortimer (1740-79)

A Cariacature Group, c. 1766 [detail]

Oil on canvas, 83.8 x 106.7 cm

Yale Center for British Art, Paul Mellon Collection (B1981.25.467)

Public Domain

HISTORY

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Thomas Warrender (1662-c. 1715)

Still Life [detail]

Oil on canvas, 59.10 x 74.30 cm

National Galleries of Scotland

Public Domain

GOVERNANCE

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Thomas Rowlandson (1756-1827)

Fox-Hunting [set of six]: 6. The Dinner, 1787-8 [detail]

​Aquatint, hand-coloured, 39.4 x 51.8 cm

Yale Center for British Art

Public Domain

BECOME A MEMBER

TOP BANNER

(LEFT TO RIGHT)

George Romney (1734-1802)

Study for ‘The Leveson-Gower Children’, 1776

Pencil and brown wash, 19 x 12 cm

Sotheby’s, 25 June 2020, lot 37

George Romney (1734-1802)

The Leveson-Gower Children, 1777

Oil on canvas, 202 x 232 cm

Lakeland Arts, Abbot Hall Art Gallery and Museum

George Romney (1734-1802)

Study for ‘The Leveson-Gower Children’, 1776

Pen and brown ink, brown wash, 23.8 x 24.1 cm

Libson Yarker Ltd, London

John Raphael Smith (1751-1812), after George Romney (1734-1802)

The Gower Family: The Children of Granville, 2nd Earl Gower, 1781

Mezzotint, 53.3 x 58.9 cm (the sheet)

Yale Center for British Art, Paul Mellon Fund (B1970.3.328)

Public Domain

BECOME A PATRON

TOP AND BOTTOM BANNER 

Joseph Mallord William Turner (1775-1851)

Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore, 1834 [detail]

Oil on canvas, 90.5 x 120.8 cm.

Yale Center for British Art, Paul Mellon Collection, B1978.43.15

ABOUT AND HOW TO ENTER 

TOP BANNER

Thomas Jones (1742-1803)

View on the River Wye, circa 1776 [detail]

Oil on board, 45.7 x 60.1 cm

Denver Art Museum (2019.14), gift of the Berger Collection Educational Trust

JURY

TOP BANNER

Thomas Jones (1742-1803)

View on the River Wye, circa 1776 [detail]

Oil on board, 45.7 x 60.1 cm

Denver Art Museum (2019.14), gift of the Berger Collection Educational Trust

WILLIAM M B BERGER 

TOP BANNER

Thomas Jones (1742-1803)

View on the River Wye, circa 1776 [detail]

Oil on board, 45.7 x 60.1 cm

Denver Art Museum (2019.14), gift of the Berger Collection Educational Trust

PODCAST 

TOP BANNER

Thomas Rowlandson (1756-1827)

Comforts of Bath: The Concert, 1798 [detail]

​Watercolour with pen and grey and black ink on medium, slightly textured, cream wove paper, 12.2 x 18.7 cm

Yale Center for British Art

PAST WINNERS 

TOP BANNER

Bernard Lens III (1682-1740)

Victorious Hero Takes Occasion to Conclude Peace, 1720 [detail]

Watercolour and gouache heightened with gold on vellum, 43.8 x 52.1 x 3.8 cm

Yale Center for British Art

NEWS

TOP AND BOTTOM BANNER

A selection of 18th century tickets and trade cards from the Sarah Sophia Banks Collection, British Museum

MEMBERS' AREA 

TOP AND BOTTOM BANNER

A selection of 18th century tickets and trade cards from the Sarah Sophia Banks Collection, British Museum

CURRENT VOLUME 

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Thomas Carwitham (1701/2-45)

Detail from Titanomachy, 1710s

Pen and brown ink, brown wash; 28.5 x 17 cm.

Veritas Art Auctions, Lisbon, 10 October 2018, lot 238

RECENT VOLUME 

TOP BANNER

Mario Asprucci the Younger,

First Designs for Ickworth House, Suffolk, England, ca. 1800

Cooper Hewitt, Smithsonian Design Museum, 1938-88-7172

Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund

COMPLETE INDEX 

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Canaletto (1697-1768)

Westminster Bridge, with the Lord Mayor's Procession on the Thames, 1747 [detail]

Oil on canvas, 95.9 x 127.6 cm

Yale Center for British Art, Paul Mellon Collection (B1976.7.94)

Public Domain

BOTTOM BANNER

Claude de Jongh (c.1600-63)

View of London Bridge, 1632 [detail]

Oil on panel, 48.9 x 109.2 cm

Yale Center for British Art, Paul Mellon Fund (B2005.4)

Public Domain

FOR AUTHORS 

TOP BANNER

Anonymous 

The Library, Grove Hill, nineteenth century [detail]

Engraving, 10.2 x 14.6 cm

Yale Center for British Art, Paul Mellon Collection (B1976.7.94)

Public Domain

MIDDLE

Bernard Lens III (1682-1740)

Classical Landscape with Shepherds and Shepherdess, 1717 [detail], 52.2 x 32.2 cm

medium unknown

Birmingham Museums Trust (1990P106)

Public Domain

BOTTOM BANNER

Paul Nash (1903-42)

Trees in Bird Garden Iver Heath, 1913 [detail]

Pen and ink, watercolour, 68 x 50.7 cm

Birmingham Museums Trust (1954P59), presented by the Contemporary Art Society, 1954

Public Domain

RESOURCES 

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William Hogarth

Hudibras and the Lawyer (no. 12), 1726 [detail]

Etching and Engraving, 27 × 35.2 cm

Yale Center for British Art, Paul Mellon Collection (B1976.7.94)

Public Domain

IMAGE CREDITS 

TOP BANNER

Unknown

Mr. Thomas Hope's Picture Gallery, Duchess Street, London, 1821 [detail]

Engraving, dimensions unknown

Yale Center for British Art, Paul Mellon Collection (B1976.7.94)

Public Domain

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